A collection based on the material sense of the structure. The dynamics of the support favor visual minimalism with an extreme characterization of the finishes. The surface of the support, with the geometric perfection of its cuts, gives the collection sumptuousness and elegance, like the absolute epiphany of sound. OTO is rigor, natural strength, but at the same time lightness, like the wind whipping through the reeds, an aesthetic hiss of unique harmony, with a strong reference to the sociability of the table, as a meeting place for word and sound.
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